Art

Is epoxy resin safe? The handmade resin boom has brought industrial polymer chemistry into home workshops. We look at resin jewelry, coasters, tumblers, serving boards and the health risks of uncured epoxy.

Drinking Mercury in La Paz uses photography, sound, video and installation to reveal how mercury pollution from gold mining moves through water, ecosystems and people.

PEOPLE Festival returns to Berlin’s Funkhaus this October, bringing 180 musicians together for a week of collaboration, improvisation and more than 200 one-off performances.

Sophie Nadel turns data into something tactile, using embroidery and textiles to explore how we store, hide and understand information.

The roots of modern computing run through weaving. From Jacquard looms and Ada Lovelace to women programming early computers, London’s Softwear exhibition reveals the surprisingly tactile history behind our digital world.

The event will livestream eclipse views from Iceland and northern Spain, where the eclipse will be total, while the 35-member International Space Orchestra, made up of astronauts, scientists, engineers, and researchers—performs a new orchestral interpretation of Voyager by PJ Harvey.

In a studio in the DC Maryland Virginia area, ceramic artist Alison Kysia is working with clay in a way that feels both grounded and personal. She makes pottery and abstract Islamic sculptures, and one of her recent works focuses on the 99 Names of God in Islam.

Does the jara or clay jug concept purify and cool water?

Oman is returning to the Venice Biennale with Zīnah, an immersive installation by artist and curator Haitham Al Busafi that transforms a traditional form of horse adornment into a large-scale sensory experience.

Creators who want to influence people for good should also think carefully about tone. Environmental storytelling does not need to lecture or shame audiences. It can invite curiosity instead.

In complete darkness, inside the holy space of St Andrew Holborn, listening begins to feel like a form of prayer. With no light and no distraction, sound fills the church and holds the room. For an hour, attention itself becomes the shared act.

When a 65-year-old oak tree in Steve Parker’s yard died from fungal disease, he did not cut it into firewood or haul it away. He did not erase it. He cut the tree into disks and then turned them into records that play birdsong –– a touching tribute to the years that the tree was house and home to birds and all manners of creatures. 

Somewhere between TikTok hauls and next-day delivery, we forgot how to fix things. We forgot how to cook without an app and a pre-made box, grow food without a kit, and sew a button back onto a shirt without throwing the whole garment away. Clothing, once stitched with intention (my mother made her ow dresses!), has become disposable. And with it, a quiet loss of skill, patience, and care.

After a sold-out London debut in 2024, the acclaimed immersive audio experience "in the dark" returns to the capital in January 2026, with performances scheduled for January 22, 23, 29 and 30 at St Andrew’s Church in Holborn.