We Used to Be Seaweed creates a dialogue between historical and contemporary perspectives of the Aral Sea. Once the world’s fourth-largest lake, the Aral Sea has been depleted to an eighth of its size due to large-scale irrigation projects.
Hosted at the Savitsky Museum, this exhibition recontextualizes the museum’s famous collection of Soviet avant-garde and Turkestan modernism to open new conversations about identity, environment, and transformation.
We covered the loss of the Aral Sea in this time lapse below in the past.
The exhibition brings together contemporary artists whose works address the ecological, cultural, and historical transformations of the Aral Sea region.
Alexander Ugay deconstructs the sea’s vanished horizon through his cameraless photographic work. Saodat Ismailova’s videos examine the extinction of the Turan tiger and the lives of three generations of Aral fishermen.
The2vvo contributes a sound sculpture combining found sounds, underwater and field recordings, and testimonies, exploring the interconnectedness of human and non-human life in the area.
Lilia Bakanova presents a textile installation about imaginary life in the Aral Sea, created from raw silk and cotton—materials produced with water that was redirected away from the Aral Sea.
In conversation with selected works from the museum’s collection, these pieces reflect on the region’s histories, shared water resources, and the intertwined relationships between culture, nature, and memory.
What happened to the Aral Sea through an artist’s lens:
This made a drastic impact on the climate and life in Central Asia, mainly in Kazakhstan and Uzbekistan.
Against expectations, this landscape reveals striking beauty rather than depression: the desert blooms with a poignant tenderness; colors are muted by a superfine sandy powder, creating a velvety touch; unknown grass smells of chemically flavored lollipops.
Now imagine that in this remote town with no tourists where you hired the car, there is a world-class collection of Russian and Central Asian avant-garde. This is Savitsky museum, named after an artist who rescued paintings discarded by museums across the USSR in the 1960-70s. This town, Nukus, was so far from the Soviet government, that the collection survived. It not only educated and inspired local artists but also includes their works, many depicting the Aral Sea throughout the 20th century.
This exhibition will create a dialog between historical and contemporary perspectives of the Aral Sea and the life around it. The Museum provides a perfect backdrop for the exhibition, given its history of resilience and collection of paintings depicting the region’s transformations.
– A photographic project by a Kazakh photographer will bridge the Kazakh and Uzbek regions of the Aral, fostering understanding and sensitivity between communities by offering glimpses into each other’s lives and shared water challenges.Beyond looking, touching, smelling and listening, the gallery is inviting people to get involved.
February 13 to March 12; Savitsky Nukus Museum of Art Rsaev Str., Nukus 23100,
Republic of Karakalpakstan, Uzbekistan
Artists:
