Desert Breath spirals on Red Sea remind us of troubled Egypt’s immense beauty

Egyptian Desert, Sand Spiral, land art, Sinai, land mines, conical sand spirals, desert breath, travel, environmentTo many Egyptians, the desert is a hostile place: water is scarce, terror cells hide in its vast expanse, or land mines make crossing them a death trap. But the Desert Breath land art project near Hurghada on the Red Sea coast reminds us that Egypt, despite its many troubles, is a place of extraordinary beauty.

Danae Stratou, an installation artist, Alexandra Stratou, an industrial designer and architect, and architect Stella Constantinides formed the D.A.ST. Arteam in 1995 with the purpose of working together in the desert – a dream that the trio shared.

Egyptian Desert, Sand Spiral, land art, Sinai, land mines, conical sand spirals, desert breath, travel, environment

Two years later, they created Desert Breath, a series of conical sand mounds that form two spirals around a pool of water.

“In our mind’s eye the desert was a place where one experiences infinity,” they wrote on their project website.

“We were addressing the desert as a state of mind, a landscape of the mind. The point of departure was the conical form, the natural formation of the sand as a material.”

Egyptian Desert, Sand Spiral, land art, Sinai, land mines, conical sand spirals, desert breath, travel, environment

A site-specific work located in the eastern Sahara desert near the Red Sea in El Gouna (said to be MENA’s first carbon neutral city), the project comprises an area of 100,000 square meters.

The group used 8,000 cubic meters of sand to form both positive and negative “conical volumes,” which are precise – no easy feat in a dynamic desert where the winds are constantly shifting the sands.

Egyptian Desert, Sand Spiral, land art, Sinai, land mines, conical sand spirals, desert breath, travel, environment

Two interlocking spirals composed of these giant sand cones move out from a common center with a phase difference of 180 degrees, according to the group, surrounding a vessel with a 30 meter diameter that is filled to the brim with water.

“Located between the sea and a body of mountains at the point where the immensity of the sea meets the immensity of the desert, the work functions on two different levels in terms of viewpoint: from above as a visual image, and from the ground, walking the spiral pathway, a physical experience.”

Egyptian Desert, Sand Spiral, land art, Sinai, land mines, conical sand spirals, desert breath, travel, environment

It took two years for the D.A.ST. Arteam to complete this project, a time frame that is appropriate for a desert environment – so unforgiving, so taxing, and yet worthy of such deep reverence and respect.

:: My Modern Met

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Tafline Laylin
Author: Tafline Laylin

As a tour leader who led “eco-friendly” camping trips throughout North America, Tafline soon realized that she was instead leaving behind a trail of gas fumes, plastic bottles and Pringles. In fact, wherever she traveled – whether it was Viet Nam or South Africa or England – it became clear how inefficiently the mandate to re-think our consumer culture is reaching the general public. Born in Iran, raised in South Africa and the United States, she currently splits her time between Africa and the Middle East. Tafline can be reached at tafline (at) greenprophet (dot) com.

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